"Wait, Nat, your a rapper?".
This one might have caught a few people by surprise. Then again, that might have been some of the point. My entire life I have enjoyed rap music, hip-hop music, and music in general. Over the past year I found myself growing increasingly tired of simply listening to music and more focused on recording my own.
Since last summer I have worked on recording my own verses over industry beats and then eventually landed some beats from producer Peter "Pete Needy" Needham (Dorchester, MA). At first it was nothing more than testing out a hobby. I love writing. I love music. Why not merge the two together? I had a music background only as far as playing the drums and nothing more than kicking freestyles at college parties. Throughout college I would say I was better than your average drunk, white, suburban college good (that's not very good) but my friends always mentioned I should stick with it. I wrote through college and post college but never had the balls (or the materials) to actually record. Until now. I decided to network with the people I know in my life to start getting things put together and am anticipating dropping a mixtape within the next few months.
Working together with Peter Needham, Stay Puft Productions and an engineer named "Fresh" we have been slowly piecing together legitimate re-mastered versions of all the songs I have completed over the past year. In creating this union and also tapping into other music networks I landed a gig "Internationals Do It Better Volume 11" at Harpers Ferry. I went on at the 11:30 time slot and killed it. I had a great crowd, awesome support staff and ridiculously good act with "The Belluci 3" who went on before me. Below check out some pictures from the event, so tid bits and hopefully some video will be up soon enough. I already impressed enough after one event to guarantee myself more shows in the coming months. Check out www.alkanevents.com for promotional information including bookings and pictures from the highly successful "Internationals Do It Better" series brough to you by Aldan Alkan. Stay tuned and make sure you check em' out.
In the meantime I have a website setup with myspace.com (myspace.com/beantownrep) and also a fan page underneath "Nasty Nat" on Facebook. You can also follow me on twitter @Go3amlife. The following months will be crucial in setting up shows, gathering more fans, believers and supporters of real hip-hop music. I will also be releasing a mixtape and hopefully a legitimate CD within the coming months. The first single is "I Am Here Now" and the second single will be the certified banger "Seeya Layta". The third track tentatively rigged to explode is "Fade" with fellow engineer and lyricist "Fresh". Keep a look out and I'll be checking back in with this blog to keep you up to date.
Keep an eye out for the up and coming clothing line straight out of Boston as well..."Cavata Clothing" is creating a voice for the arts and donates 10% of every purchase back to our public schools music programs. I'll be wearing Cavata at all of my shows to help spread the word about giving back to our kids music programs, awesome designs, t-shirts and other fashions. Lori Kirk and Peter Needham are the represenatives you should talk to in the event you want to purchase gear, ask questions or donate money to our local school systems. (www.cavataclothing.com This is REAL Boston gear).Cavata was good enough to setup a
merchandise table at my first performance, and we will continue to promote their mission at all of my shows.
In the meantime keep an eye out for me, Nat Anglin, Also known as: "Nasty, Nasty Nat, Buck Nasty, or Mr. Massachusetts" and please continue to support real music around Boston. Join the "Nasty Nat" fanpage (you can listen to music) on facebook and visit www.myspace.com/beantownrep to check out music and contact information.
Wednesday, May 26, 2010
Tuesday, February 2, 2010
Oscar Talk
So Anne Hathaway got to read the nominees out today. I'm not going into everyone, because plainly, I just don't care. I like being a stubborn and selfish jerk, so I'll pick the ones I want and probably rant about certain films as well. I'll also pick the ones I think will win, and shouldn't.
Best picture
"Avatar"
"The Hurt Locker"
"Precious: Based on the novel 'Push' by Sapphire"
"Up in the Air"
"Inglourious Basterds"
"Up"
"The Blind Side"
"District 9"
"An Education"
"A Serious Man"
So, first thing is first. The fact that they "upgraded" the list of Best Picture nominees to Ten is laughable. They manage to screw it up most years ANYWAYS, why increase the odds of screwing it up? I don't get it. Plus, I don't there are ten movies a year that should be up for the prestigious "Best Picture" category.
Will Win: Avatar
Should Win: Avatar
I'm sorry. I usually am the little obnoxious prick that is clamoring for the small picture to defeat big, bad Hollywood. I hated on Avatar so hard before it came out. I likened it to James Cameron getting all Michael Bay with blue playdoh. Well, humble pie doesn't taste so bad after all. Avatar is amazing. I think the fact that is cost a couple of country's bankrolls to produce, the graphics, the groundbreaking power of the 3D experience, will make up for some of the problems inherent in the film. Some of it is a bit cliche, and James has never been the most gifted dialogue writer, but this movie is awesome. The story is breathtaking, it is shot beautifully, the imagination rehearsed inside Cameron's head over the past ten years is transferred perfectly. The acting was alot better than I figured it would be as well. Sigourney Weaver, thanks for coming back. This movie is as well rounded as you'll get for a big hollywood banger and man did James deliver the goods.
Actor
George Clooney, "Up in the Air"
Jeff Bridges, "Crazy Heart"
Colin Firth, "A Single Man"
Morgan Freeman, "Invictus"
Jeremy Renner, "The Hurt Locker"
Will Win: Jeff Bridges
Should Win: Jeff Bridges
I didn't like Invictus all that much. I mean don't get me wrong, it was a solid movie, and it's hard to critique things made by Eastwood...nevermind starring Freeman. I haven't seen Crazy Heart yet, but the sense I get is that it's last years "The Wrestler" minus Mickey Rourke. Jeff Bridges is like revered in Hollywood and I have personal liking for his body of work. Clooney's performance is basically him playing himself. Jeremy Renner was brilliant in The Hurt Locker, a completely understated and amazing performance. I didn't see Colin Firth's performance either so go head and bitch at me and throw up an Asterisk on this one.
Actress
Meryl Streep, "Julie & Julia"
Sandra Bullock, "The Blind Side"
Gabourey Sidibe, "Precious: Based on the novel 'Push' by Sapphire"
Helen Mirren, "The Last Station"
Carey Mulligan, "An Education"
Will Win: Sandra Bullock
Should Win: Gabourey Sidibe
First off, Precious isn't for the squeamish. It's one of the more difficult tales you've ever heard and it's amazing it's broken into Hollywood the way it has. I was going to put Gabourey for "Will Win" but I could never put it past the Oscar's to give Sandra the golden girl her fucking trophy. I like Sandra Bullock, but come on, who's kidding who? Blind Side isn't half the film Precious is, and given the Oscar's history with black leads? I don't see it happening. Sidibe gives a towering performance in the years most unforgettable film (unforgettable in terms of mental scarring).
Supporting actor
Matt Damon, "Invictus"
Woody Harrelson, "The Messenger"
Christopher Plummer, "The Last Station"
Stanley Tucci, "The Lovely Bones"
Christoph Waltz, "Inglourious Basterds"
Will Win: Christoph Waltz
Should Win: Chistoph Waltz
It is the type of performance in which you wouldn't even have to see the other films. Kinda like that year Daniel Day Lewis starred in "There Will Be Blood". Waltz's performance is outrageously good. He could have won just for his the opening scene in "Inglorious Basterds". He waltz's into a house and mentally eviscerates a quiet family man. Even if his character were to have died right after this scene he still could have walked off with this thing. His performance maybe the best out of anyone the entire year--in every category.
Supporting actress
Vera Farmiga, "Up in the Air"
Mo'Nique, "Precious"
Anna Kendrick, "Up in the Air"
Penelope Cruz, "Nine"
Maggie Gyllenhaal, "Crazy Heart"
Should Win: Monique
Will Win: Monique
Mo'Nique will take this one and should. This is yet another reason I think they will give the lead to Sandra, by assuming the supporting role will be taken by Precious. This performance is as hard edged and disturbing as any out there. To play a character so vile and disgusting is no easy task...she kills it.
Director
Quentin Tarantino, "Inglourious Basterds"
Kathryn Bigelow, "The Hurt Locker"
James Cameron, "Avatar"
Lee Daniels, "Precious: Based on the novel 'Push' by Sapphire"
Jason Reitman, "Up in the Air"
Should Win: James Cameron
Will Win: James Cameron
I can't think of another blockbuster cinematic achievement that matches what he has been able to do. The only ones close are maybe Lucas with Star Wars imagination or Spielberg devising his epics. Cameron spent countless millions, years upon years of imagining, and the production hell in convincing everyone "Avatar" was worth it. This is the first movie to bring credibility to the 3D picture in Hollywood, and he has taken cinema to new bounds yet again. There is no doubt he deserves it and it would be pathetic to give it to anyone else. Kathryn Bigelow might have won any other year. The Hurt Locker is so perfectly made on a directing level. Tarantino never fails to amaze me and I believe some of the scenes in "Inglorious" are his most mature to date. The last scene in the film, however, drove the nail into his Best Director coffin.
Animated feature
"Up"
"Coraline"
"Fantastic Mr. Fox"
"The Princess and the Frog"
"The Secret of Kells"
Should Win: Up
Will Win: Up
"Up" is one of the best movies of the year. It's up for a best picture nod. It's perfect as far as Pixar goes-- and that is saying alot. It is heart-wrenching at times, hilarious at others, and great by the end.
Original screenplay
"The Hurt Locker"
"Inglourious Basterds"
"The Messenger"
"A Serious Man"
"Up"
This one is tough. I'm going with The Hurt Locker because it is one of the best movies made since 2000 and it's a shame it won't see anything. The inspiration came from family members serving in Iraq and the writers traveled with a bomb squad to gain insight into daily lives of soldiers.
Adapted screenplay
"District 9"
"An Education"
"In the Loop"
"Precious"
"Up in the Air"
Will Win: Precious
Should Win: District 9
Precious was well made. Great transition to the screen when most people who read the book would have said "why try?". District 9 was too weird for alot of people. That movie is truly great. Despite it's downfalls, it is a perfect landscape and a mirror for what we usually tend to do in situations such as that. Funny how the public wasn't crazy about it...probably because no one likes looking in the mirror.
Best film editing
"Avatar"
"District 9"
"The Hurt Locker"
"Inglourious Basterds"
"Precious"
Will Win: Avatar
Should Win: ?
This is sad but it maybe the toughest choice this year. Avatar took ten years. TEN YEARS PEOPLE. God knows how much footage he had to chew down to get it under three hours. If your going off workload alone than Avatar wins no doubt. If your going for actual skill and creativity to produce something near perfection, I might go Hurt Locker. That movie is so well edited and because of that fact it propels the viewer into a non-stop nerve tingling atmosphere. Inglorious Basterds won't win because it was so long. District 9 was also brilliantly edited, the final forty-five minutes of that film are absolutely insane.
Art direction
"Avatar"
"The Imaginarium of Doctor Parnassus"
"Nine"
"Sherlock Holmes"
"The Young Victoria"
Should Win: Avatar
Will Win: Avatar
No question. The complexity and beauty of this films art direction trump any movie made in the past few years nevermind this year alone.
Cinematography
"Avatar"
"Harry Potter and the Half-Blood Prince"
"The Hurt Locker"
"Inglourious Basterds"
"The White Ribbon"
Will Win: Avatar
Should Win: Inglorious Basterds
Cinematography is often misunderstood for what it actually is. Yes, it's the lineup of shots and the time taken to perfect them, but often people just assume it's the way the camera is taking footage. Avatar does have a breathtaking scope to it, almost as if you've entered another world fully. However, Inglorious Basterds resides on a much less grand of a scale. The scope of the camera in that film, the shots and the recurrent themes captured through the lens was near perfect. I would give it to "Basterds".
It has been a good year for movies. Both on a large scale (Avatar) down to the nitty-gritty (Precious). If you did not like District 9 I beg you to watch it again. It really is well made and believe me I know it is wierd, but it makes altogether too much sense to ignore. The Hurt Locker is the greatest action movie made since any of the Bourne's, and as an overall film, is better than them. The movie employs so much into it's action base that your quick to forget the associations it draws with the wars currently going on. Kathryn Bigelow used to be married to James Cameron...Jesus, thank god they didn't have any children or they would be the best directors of all time. Again, not enough can be said for Mr. Waltz's performance in "Inglorious Basterds". That is the performance of the year. That film will also go down as being seriously underrated as it will fail to pick up much in the Oscar categories. I'm interested to see where Tarantino will go from here...I think he is close to making something completely serious and at the same time? Probably completely perfect. Avatar is the best picture of the year and has managed to connect both critically and commercially, which is a rarity these days. The film will change the course of blockbusters everywhere until the next time Mr. Cameron feels like dropping in and changing the game all over again.
Best picture
"Avatar"
"The Hurt Locker"
"Precious: Based on the novel 'Push' by Sapphire"
"Up in the Air"
"Inglourious Basterds"
"Up"
"The Blind Side"
"District 9"
"An Education"
"A Serious Man"
So, first thing is first. The fact that they "upgraded" the list of Best Picture nominees to Ten is laughable. They manage to screw it up most years ANYWAYS, why increase the odds of screwing it up? I don't get it. Plus, I don't there are ten movies a year that should be up for the prestigious "Best Picture" category.
Will Win: Avatar
Should Win: Avatar
I'm sorry. I usually am the little obnoxious prick that is clamoring for the small picture to defeat big, bad Hollywood. I hated on Avatar so hard before it came out. I likened it to James Cameron getting all Michael Bay with blue playdoh. Well, humble pie doesn't taste so bad after all. Avatar is amazing. I think the fact that is cost a couple of country's bankrolls to produce, the graphics, the groundbreaking power of the 3D experience, will make up for some of the problems inherent in the film. Some of it is a bit cliche, and James has never been the most gifted dialogue writer, but this movie is awesome. The story is breathtaking, it is shot beautifully, the imagination rehearsed inside Cameron's head over the past ten years is transferred perfectly. The acting was alot better than I figured it would be as well. Sigourney Weaver, thanks for coming back. This movie is as well rounded as you'll get for a big hollywood banger and man did James deliver the goods.
Actor
George Clooney, "Up in the Air"
Jeff Bridges, "Crazy Heart"
Colin Firth, "A Single Man"
Morgan Freeman, "Invictus"
Jeremy Renner, "The Hurt Locker"
Will Win: Jeff Bridges
Should Win: Jeff Bridges
I didn't like Invictus all that much. I mean don't get me wrong, it was a solid movie, and it's hard to critique things made by Eastwood...nevermind starring Freeman. I haven't seen Crazy Heart yet, but the sense I get is that it's last years "The Wrestler" minus Mickey Rourke. Jeff Bridges is like revered in Hollywood and I have personal liking for his body of work. Clooney's performance is basically him playing himself. Jeremy Renner was brilliant in The Hurt Locker, a completely understated and amazing performance. I didn't see Colin Firth's performance either so go head and bitch at me and throw up an Asterisk on this one.
Actress
Meryl Streep, "Julie & Julia"
Sandra Bullock, "The Blind Side"
Gabourey Sidibe, "Precious: Based on the novel 'Push' by Sapphire"
Helen Mirren, "The Last Station"
Carey Mulligan, "An Education"
Will Win: Sandra Bullock
Should Win: Gabourey Sidibe
First off, Precious isn't for the squeamish. It's one of the more difficult tales you've ever heard and it's amazing it's broken into Hollywood the way it has. I was going to put Gabourey for "Will Win" but I could never put it past the Oscar's to give Sandra the golden girl her fucking trophy. I like Sandra Bullock, but come on, who's kidding who? Blind Side isn't half the film Precious is, and given the Oscar's history with black leads? I don't see it happening. Sidibe gives a towering performance in the years most unforgettable film (unforgettable in terms of mental scarring).
Supporting actor
Matt Damon, "Invictus"
Woody Harrelson, "The Messenger"
Christopher Plummer, "The Last Station"
Stanley Tucci, "The Lovely Bones"
Christoph Waltz, "Inglourious Basterds"
Will Win: Christoph Waltz
Should Win: Chistoph Waltz
It is the type of performance in which you wouldn't even have to see the other films. Kinda like that year Daniel Day Lewis starred in "There Will Be Blood". Waltz's performance is outrageously good. He could have won just for his the opening scene in "Inglorious Basterds". He waltz's into a house and mentally eviscerates a quiet family man. Even if his character were to have died right after this scene he still could have walked off with this thing. His performance maybe the best out of anyone the entire year--in every category.
Supporting actress
Vera Farmiga, "Up in the Air"
Mo'Nique, "Precious"
Anna Kendrick, "Up in the Air"
Penelope Cruz, "Nine"
Maggie Gyllenhaal, "Crazy Heart"
Should Win: Monique
Will Win: Monique
Mo'Nique will take this one and should. This is yet another reason I think they will give the lead to Sandra, by assuming the supporting role will be taken by Precious. This performance is as hard edged and disturbing as any out there. To play a character so vile and disgusting is no easy task...she kills it.
Director
Quentin Tarantino, "Inglourious Basterds"
Kathryn Bigelow, "The Hurt Locker"
James Cameron, "Avatar"
Lee Daniels, "Precious: Based on the novel 'Push' by Sapphire"
Jason Reitman, "Up in the Air"
Should Win: James Cameron
Will Win: James Cameron
I can't think of another blockbuster cinematic achievement that matches what he has been able to do. The only ones close are maybe Lucas with Star Wars imagination or Spielberg devising his epics. Cameron spent countless millions, years upon years of imagining, and the production hell in convincing everyone "Avatar" was worth it. This is the first movie to bring credibility to the 3D picture in Hollywood, and he has taken cinema to new bounds yet again. There is no doubt he deserves it and it would be pathetic to give it to anyone else. Kathryn Bigelow might have won any other year. The Hurt Locker is so perfectly made on a directing level. Tarantino never fails to amaze me and I believe some of the scenes in "Inglorious" are his most mature to date. The last scene in the film, however, drove the nail into his Best Director coffin.
Animated feature
"Up"
"Coraline"
"Fantastic Mr. Fox"
"The Princess and the Frog"
"The Secret of Kells"
Should Win: Up
Will Win: Up
"Up" is one of the best movies of the year. It's up for a best picture nod. It's perfect as far as Pixar goes-- and that is saying alot. It is heart-wrenching at times, hilarious at others, and great by the end.
Original screenplay
"The Hurt Locker"
"Inglourious Basterds"
"The Messenger"
"A Serious Man"
"Up"
This one is tough. I'm going with The Hurt Locker because it is one of the best movies made since 2000 and it's a shame it won't see anything. The inspiration came from family members serving in Iraq and the writers traveled with a bomb squad to gain insight into daily lives of soldiers.
Adapted screenplay
"District 9"
"An Education"
"In the Loop"
"Precious"
"Up in the Air"
Will Win: Precious
Should Win: District 9
Precious was well made. Great transition to the screen when most people who read the book would have said "why try?". District 9 was too weird for alot of people. That movie is truly great. Despite it's downfalls, it is a perfect landscape and a mirror for what we usually tend to do in situations such as that. Funny how the public wasn't crazy about it...probably because no one likes looking in the mirror.
Best film editing
"Avatar"
"District 9"
"The Hurt Locker"
"Inglourious Basterds"
"Precious"
Will Win: Avatar
Should Win: ?
This is sad but it maybe the toughest choice this year. Avatar took ten years. TEN YEARS PEOPLE. God knows how much footage he had to chew down to get it under three hours. If your going off workload alone than Avatar wins no doubt. If your going for actual skill and creativity to produce something near perfection, I might go Hurt Locker. That movie is so well edited and because of that fact it propels the viewer into a non-stop nerve tingling atmosphere. Inglorious Basterds won't win because it was so long. District 9 was also brilliantly edited, the final forty-five minutes of that film are absolutely insane.
Art direction
"Avatar"
"The Imaginarium of Doctor Parnassus"
"Nine"
"Sherlock Holmes"
"The Young Victoria"
Should Win: Avatar
Will Win: Avatar
No question. The complexity and beauty of this films art direction trump any movie made in the past few years nevermind this year alone.
Cinematography
"Avatar"
"Harry Potter and the Half-Blood Prince"
"The Hurt Locker"
"Inglourious Basterds"
"The White Ribbon"
Will Win: Avatar
Should Win: Inglorious Basterds
Cinematography is often misunderstood for what it actually is. Yes, it's the lineup of shots and the time taken to perfect them, but often people just assume it's the way the camera is taking footage. Avatar does have a breathtaking scope to it, almost as if you've entered another world fully. However, Inglorious Basterds resides on a much less grand of a scale. The scope of the camera in that film, the shots and the recurrent themes captured through the lens was near perfect. I would give it to "Basterds".
It has been a good year for movies. Both on a large scale (Avatar) down to the nitty-gritty (Precious). If you did not like District 9 I beg you to watch it again. It really is well made and believe me I know it is wierd, but it makes altogether too much sense to ignore. The Hurt Locker is the greatest action movie made since any of the Bourne's, and as an overall film, is better than them. The movie employs so much into it's action base that your quick to forget the associations it draws with the wars currently going on. Kathryn Bigelow used to be married to James Cameron...Jesus, thank god they didn't have any children or they would be the best directors of all time. Again, not enough can be said for Mr. Waltz's performance in "Inglorious Basterds". That is the performance of the year. That film will also go down as being seriously underrated as it will fail to pick up much in the Oscar categories. I'm interested to see where Tarantino will go from here...I think he is close to making something completely serious and at the same time? Probably completely perfect. Avatar is the best picture of the year and has managed to connect both critically and commercially, which is a rarity these days. The film will change the course of blockbusters everywhere until the next time Mr. Cameron feels like dropping in and changing the game all over again.
Monday, February 1, 2010
The Edge Of Sanity
I was talking to someone the other day, mostly about bullshit, then it switched to politics (aka more bullshit) at which point I became immediately depressed and we carried onto movies. He brought up the fact that this years Oscar race was as interesting as any and that despite the gigantic blue wave of Avatar, some of the films have been small pictures that focus on difficult issues (Precious, The White Ribbon) to coming of age at a late age movies (Up In The Air, Crazy At Heart) to such cinematic gems as "When In Rome" (Joke). Interestingly enough, despite the January dumping ground of horrendous films, the Oscar list seems to be stretching on. So what do I go and see? Of all the amazing films to pick from? I go and see Mel Gibson's return in "The Edge Of Darkness".
Now to be fair, Mel is an asshole. I find it funny when people get annoyed about me going to see a movie starring "the anti-semite lunatic" and contributing financially to the "demise of morals" in America. I mean a bit far fetched, but seriously people, this is what people pick on. In an age where people make a living out of this type of behavior, I find it amusing that people generalize an incident like Gibson's "Jewish/Sugartits" tirade to define his character. Now, again, don't get me wrong. The man is an asshole. I find it more infuriating that he left his wife and eight children for a women half his age moreso than the DUI. That's me. Either way, the last eight years of Mel Gibson's life have been defined by his alcoholism, religious high horsing (2004's The Passion Of The Christ and all connected themes), his infamous DUI and finally culminating with a nasty separation from his wife.
There is no arena where a shorter memory exists. Sports is close. Politics isn't far behind. They both involve the public spotlight with heroes loved and revered. Film for some reason, tends to really piss people off. Watching their on screen heroes transform from role to role for some reason should mean interesting off screen. There is this illusion that they are perfect all the time and when that mold of perfection is broken, people take it personally. They get ANGRY. I have fallen into that mold on certain occasions. For example I despise Tom Cruise. The Scientology thing drives me nuts, his behavior is irrational and I think he is a total creep/asshole. That doesn't mean he can't act. That also doesn't mean I won't go see one of his movies. I guess I'm interested in films too much to really, truly, deeply, care about the actors personal lives.
Mel hasn't acted in eight years. The last film he was in was "Signs" 2002 (which just so happens to be one of the most overrated films of the 1990s, seriously, watch it again). The film concentrates on alien life in a small town shot through a Hitchcock lens perfectly ripped off my M. Night, however, the base of the story is about a man losing and then finding faith again (If only he could have made it now, it would have been his on screen salvation). Since then he has dedicated most of his time to acting, drinking and fucking models that are twenty years younger than him. Now, to be fair, I never fully watched "The Passion Of The Christ" but I believe it would almost be impossible to enjoy it. Especially after the connections the film has drawn to George Bush's bible belt campaign (same year, 2004) and to his outrageous claims against Jewish people. That's not to say those are the only reasons. The basic reason is I'm just not interested in watching Christ endure all that pain and then get nailed to the cross (Might have something to do with reliving the stations for years as an Irish Catholic child). His second film in this eight year span, Apocalypto, maybe the most grossly misunderstood film he has made to date. The film is decent, shot with a pulse breaking speed of adrenaline, violence and thrills. There isn't much politicking throughout the first half, it's basically hard-edged tribal violence and the heat of chase through the jungle. I recently read an article in GQ (Tom Carson on Mel Gibson) and he argued that the film was yet another cementing of Mr. Gibson's anti-semitic and church loving beliefs. I could not disagree more. The film catapults the viewer into a world of bloody chaos, sick disgusting executions, mass murder, human sacrifice etc. The end of the movie does not solve much, the main character survives and wonders what possible atrocities humankind could endure next. There is an eerie shot through the trees of the English/White man arriving from a far away land. The man is dressed in robes carrying a gigantic cross as the boat nears the shore. It is here I believe Mel made a serious attempt at labeling the problems inherent in the history of the religion he so "deeply" cares for. Many read into this as the white man arriving to set straight the violent disarray of the natives. I believe whole-heartedly that this was not the point. The title "Apocalypto" is directly tied into this scene. Through all the bloodshed, coldness, human sacrifices, and chaos...what was coming for these people next was even worse. The film's title signifies the end of their existence as they knew it, this does not suggest justifying the takeover of the cross carrying white man, it suggests the end of their world. Then again, it could be Mel going for the salvation piece and this is just what I want to believe. Seriously though, if there is a glimmer of hope held out for this man it is in those final moments of Apocalypto, where there is a silver lining.
This year, Mel Gibson returns to the sort of role that traditionally solidifies him as one of the better actors around. Whether it's caving in British Soldiers heads with an ax in "The Patriot" or slitting throats in "Braveheart", he is going back to what he has done best. Many critics likened the character role to these two films, however, I believe it is most closely linked to "Payback" which came back in 1998. Again, a seriously underrated film. This was no on screen gem by any stretch, but it certainly has an interesting flavor to it. There is no bullshit. It's a basic crime/revenge story with some hilarious one liners and a great performance by Mel Gibson. It is funny to go back and watch it now as it was then trying to paint Mel Gibson as "the bad guy" for filmgoers (back when he was the strapping sexy Australian who knew what women wanted). The anti-hero you root for. Hell, even the tagline was "Get ready to root for the bad guy". The film had a nightmarish production, starting with the director (Mass's own Brian Hegeland who co-wrote LA Confidential) who reportedly had his directing rights stripped away mid way through the shoot. The Script was also reworked during shooting. These types of disasters are usually identified early, even before viewing and it is my belief that this in part contributed to dismal reviews. The basic premise, however, is revenge. The coldest dish served and a trademark in the history of American film. Now, this year, Mel Gibson picks up a script called The Edge Of Darkness and decides to make his return to acting.
The Edge Of Darkness is solid. I mean it really is. I am a bit biased due to my upbringing in Boston but I'm not ashamed to put it out there. William Monahan, who co-wrote the screenplay, and also penned The Departed (and won the Oscar, thank you very much) knows this city through and through. Monahan infuses the script with a locals attitude, while still providing Gibson's character (Tom Craven) the chance to explore his own darkness. The conversations between Gibson and Ray Winstone (Mr. French from The Departed) are especially riveting. A scene in the kitchen over a glass of Crown Royal nails it.
The story is explanatory and the commercials for this film are horrendous (No one really gets the Boston accent right, but in Gibson's worst line of the film, "Did you shoot my daughter?" is the first thing heard in the main add on television. The story is far fetched, coupling together conspiracy theories with over-arching companies that knock off their own employees for meddling in matters of "National Security." Everything from CEO cutouts, obnoxious cliche versions of hippi groups that sabotage evil government labs (The "take your glasses off please" scene is absolute comedy, the embodiment of a republican conversation over beers), all the way down to a cowardly Police captain that is supposedly friends with Gibson (Note, I'm not sure who casted this film but I don't know what the fuck they were thinking having this guy in there). Those character types fail, but it is hard to imagine this was not done on purpose. The evil, the darkness, that surrounds Gibson's character is supposed to be vulnerable, predictable, obnoxious--it mirrors Gibson's real life image-- and his on screen image smashes that image to pieces.
The years have been kind to Mel...that is until around the last eight. He looks older in this film. The lines in his face defined, a quiet, reserved, tired looking face. Much of Mel Gibson/Tom Craven's history is left out of the script. They imply he used to be an alcoholic. He hasn't been great to his daughter. The wife isn't in the picture, but the catholic cross still dangles around his neck (a nice touch). The viewer is ready made to assume this is more or less an on screen, Hollywoodized version of Mel and his search for redemption. His daughter is murdered minutes into the movie. A bloody, hyper-violent sequence in which he is on the way to the hospital with her before her life is erased via shotgun. The movie doesn't waste time building his anger over her death. The man's lost everything, boo-hoo, and now his daughters blood is all over his hands. The plot begins with people assuming the bullets were meant for him...and then the story unfolds.
The movie centers around his bloodlust for his daughters killers, however, it also leads the character Tom Craven into searching through himself for what is "the right thing to do". Obviously, another far fetched reaction, but getting his vigilante on and murdering people left and right doesn't make for the most moral of decisions. There is a line in the film when the ridiculous police friend of Tom's utters "It's never what it is, It's what it looks like". He refers to the outrageous lengths that have manifested the story--the violence, the greed, the cover ups, the works. If you are willing to buy certain points of bullshit, certain themes are more realistic than they initially appear. This makes the movie worth seeing. *
I Included the asterisk above because I believe this film was billed for Gibson's comeback. The perfect engine at revitalizing his career and exposing that face we have all come to know so well. One of defeat, sadness, tragedy endured, anger, the swelling of Mel's eyebrows as he struggles to hold back tears (He practically invented that face). The problem is, at least at the local level (but arguably at the national one too) the film rubs up against political current events in a peculiar way. This helps shift the film from strictly Mel's comeback to an interesting story during an interesting time during politics.
The film's villain is a CEO. The power structure is centered around the protection of secrets, the far reaching "limits" the government possesses to silence whistleblowers, and the private contracts that comprise the never ending relationship between business and politics.
I saw this film a week after Judge Alito and the rest of the Supreme Court decided to lift the ban on corporate campaign financing, further stretching the limits to an area not known in this country for as long as we can remember. This is also two weeks after Massachusetts replaced the Liberal Lion with Scott Brown. Political times in Massachusetts, well, I guess a nice way of putting it would be, "confused". Monahan taps into this with the film's second villain: a pathetic John Kerry knock-off. A typical rendition of a Senator and his personal connections with the evil commanding CEO. Now this again could be a personal bias, but beyond the cozy Louisburg Sq. confines, the character is ridiculous. It's so far over the top that it doesn't even feel like a good shitting on. It's just stupid. Some may enjoy it, but either way, it is not a flattering glance at Boston politics as of late. The point is clear.
This was unexpected. This movie kind of came out like "The International" did last year. A stupid, ridiculous, over the top premise about evil banks stealing the public's money--and lives (sound familiar?). A potentially awful movie graced with good timing and a likable star (Clive Owen ladies and gentleman, how you can hate the man?). The Edge Of Darkness barrel rolls to the finish line by pole vaulting over any hint of realistic traces: bullets fly, people are poisoned, shot in the face, destroyed, hit by cars, stabbed, shot in the throat, and beaten mercilessly. In effect, all the things we wish we could impart at certain times when we the people feel helpless, or controlled by something we cannot change. I don't think everyone envisions handling it with a bullet and some tough words, but that feeling of anger is there.
The character arc plays out towards the end of the movie as a father who picks up where his daughter left off. The revenge for him is bloodlust, however, at the same time, his sole mission becomes to pick up the dead trail and finish off the government hotshots, CEO assholes and finally the crooked Senator. Exposing the evil illegals they have carried out. The violence and redemption in the film is laughable and survives only as a popcorn action movie gimmick. The grander scale, in most cases, would also be considered laughable. However, I found myself questioning that thought towards the end of the movie. There is a bloody scene towards the end that single-handedly sends the movie over the top, and the evil deeds of the guilty are presumably exposed thanks to four well aimed shots.
The nasty taste left in your mouth leaving "The Edge Of Darkness" was the close lines it runs politically-- the thought that this country has taken a serious turn for the ethical worse on millions of occasions. The latest butt fuck by the Supreme Court last week is probably somewhere in the back end of a long line by contrast, however, it still stands as remarkable that people have not taken a greater notice. One of the biggest problems I have with politics in this area is that people tend to latch onto on major issue and make it the forefront of argument against other candidates. Scott Brown won with the Healthcare/Middle class values edge. Beyond that? Many people probably couldn't get into serious depth about his political views. They just aren't really defined yet. This Supreme Court decision rolled in and out, and it didn't see half the press, anger, or questioning as the Coakley/Brown race did. This is a disgrace to Americans everywhere.
For me "The Edge Of Darkness" is complicated by interesting timing and a perfect lead. It takes it to another level for me as I continue to fuse film philosophy with real life timing. For others, it could be a horrendous movie fueled by an anti-semitic lead or a B movie that people went to see for revenge. The films title really got to me. In an age where goodness is supposedly prevailing and we are witnessing "change", the far reaching limits of the Supreme Court and their "judgment" has set us back almost a century. So much for the middle class values of anti-big government and the conservative regime. Everything about the healthcare debate and Scott Brown has centered around a return to the "normal guy" politics: a guy who pushes a pickup truck and doesn't need the government's help for many issues. Smaller government. Smaller money for regular people. I can respect that point of view even when I don't agree with it. The Supreme Court just made it possible for companies to bankroll their own candidates (their own or puppets they aim to financially "support")without any form of checks, balances or limits. It is an appalling decision and regardless of where I sit with Scott Brown, John Kerry, Mel Gibson or Jesus fucking Christ, I refuse to believe the argument for it as protecting my 1st Amendment rights. I dare half the people that live by this to actually recite their 1st Amendment rights...because half of them wouldn't get past the first sentence. The foundation of our government is checks and balances. To remove that aspect from the election process is beyond egregious--whether or not your fall on the left or right.
In any event, "The Edge Of Darkness" is worth seeing. Whether or not you hate Gibson, give a fuck about politics (locally or nationally) or just want to see people get shot up, I would recommend it. I hope Scott Brown sees it. I hope John Kerry sees it. I hope Jesus Christ sees it. I don't really care what they think about it. In an era where our politics stands on "The Edge Of Darkness", I worry we have already plunged headfirst into the abyss (If course I feel we have). Now, running around offing politicians and CEO's alike isn't the correct method of action--but that same feeling of desperation and rage remains. That feeling of hoping something outrageous happens to change the way things are being done. That is what the film captures--a deep sense of hopelessness and a call for desperate measures. I for one stand on the edge of sanity when I think about the whirlwind of events the past two weeks. Call me crazy, but hopefully someone does something. Murder need not apply, but it is interesting to think what people in power might do when they know they can get away with it. Last week, The Supreme Court legalized a form of getting away with it. I guess I identify with Tom Craven (take note this is not Mel Gibson here). The character embodies certain feelings people harbor when they are left completely unprotected. The movie exists on many levels, but it leaves me with hope that some form of Tom Craven is waiting in the darkness, plotting what to do next and hopefully exposing a great deal of evil carried out by those in power. I won't hold my breath. For now, I'll just try to hold onto my sanity.
Now to be fair, Mel is an asshole. I find it funny when people get annoyed about me going to see a movie starring "the anti-semite lunatic" and contributing financially to the "demise of morals" in America. I mean a bit far fetched, but seriously people, this is what people pick on. In an age where people make a living out of this type of behavior, I find it amusing that people generalize an incident like Gibson's "Jewish/Sugartits" tirade to define his character. Now, again, don't get me wrong. The man is an asshole. I find it more infuriating that he left his wife and eight children for a women half his age moreso than the DUI. That's me. Either way, the last eight years of Mel Gibson's life have been defined by his alcoholism, religious high horsing (2004's The Passion Of The Christ and all connected themes), his infamous DUI and finally culminating with a nasty separation from his wife.
There is no arena where a shorter memory exists. Sports is close. Politics isn't far behind. They both involve the public spotlight with heroes loved and revered. Film for some reason, tends to really piss people off. Watching their on screen heroes transform from role to role for some reason should mean interesting off screen. There is this illusion that they are perfect all the time and when that mold of perfection is broken, people take it personally. They get ANGRY. I have fallen into that mold on certain occasions. For example I despise Tom Cruise. The Scientology thing drives me nuts, his behavior is irrational and I think he is a total creep/asshole. That doesn't mean he can't act. That also doesn't mean I won't go see one of his movies. I guess I'm interested in films too much to really, truly, deeply, care about the actors personal lives.
Mel hasn't acted in eight years. The last film he was in was "Signs" 2002 (which just so happens to be one of the most overrated films of the 1990s, seriously, watch it again). The film concentrates on alien life in a small town shot through a Hitchcock lens perfectly ripped off my M. Night, however, the base of the story is about a man losing and then finding faith again (If only he could have made it now, it would have been his on screen salvation). Since then he has dedicated most of his time to acting, drinking and fucking models that are twenty years younger than him. Now, to be fair, I never fully watched "The Passion Of The Christ" but I believe it would almost be impossible to enjoy it. Especially after the connections the film has drawn to George Bush's bible belt campaign (same year, 2004) and to his outrageous claims against Jewish people. That's not to say those are the only reasons. The basic reason is I'm just not interested in watching Christ endure all that pain and then get nailed to the cross (Might have something to do with reliving the stations for years as an Irish Catholic child). His second film in this eight year span, Apocalypto, maybe the most grossly misunderstood film he has made to date. The film is decent, shot with a pulse breaking speed of adrenaline, violence and thrills. There isn't much politicking throughout the first half, it's basically hard-edged tribal violence and the heat of chase through the jungle. I recently read an article in GQ (Tom Carson on Mel Gibson) and he argued that the film was yet another cementing of Mr. Gibson's anti-semitic and church loving beliefs. I could not disagree more. The film catapults the viewer into a world of bloody chaos, sick disgusting executions, mass murder, human sacrifice etc. The end of the movie does not solve much, the main character survives and wonders what possible atrocities humankind could endure next. There is an eerie shot through the trees of the English/White man arriving from a far away land. The man is dressed in robes carrying a gigantic cross as the boat nears the shore. It is here I believe Mel made a serious attempt at labeling the problems inherent in the history of the religion he so "deeply" cares for. Many read into this as the white man arriving to set straight the violent disarray of the natives. I believe whole-heartedly that this was not the point. The title "Apocalypto" is directly tied into this scene. Through all the bloodshed, coldness, human sacrifices, and chaos...what was coming for these people next was even worse. The film's title signifies the end of their existence as they knew it, this does not suggest justifying the takeover of the cross carrying white man, it suggests the end of their world. Then again, it could be Mel going for the salvation piece and this is just what I want to believe. Seriously though, if there is a glimmer of hope held out for this man it is in those final moments of Apocalypto, where there is a silver lining.
This year, Mel Gibson returns to the sort of role that traditionally solidifies him as one of the better actors around. Whether it's caving in British Soldiers heads with an ax in "The Patriot" or slitting throats in "Braveheart", he is going back to what he has done best. Many critics likened the character role to these two films, however, I believe it is most closely linked to "Payback" which came back in 1998. Again, a seriously underrated film. This was no on screen gem by any stretch, but it certainly has an interesting flavor to it. There is no bullshit. It's a basic crime/revenge story with some hilarious one liners and a great performance by Mel Gibson. It is funny to go back and watch it now as it was then trying to paint Mel Gibson as "the bad guy" for filmgoers (back when he was the strapping sexy Australian who knew what women wanted). The anti-hero you root for. Hell, even the tagline was "Get ready to root for the bad guy". The film had a nightmarish production, starting with the director (Mass's own Brian Hegeland who co-wrote LA Confidential) who reportedly had his directing rights stripped away mid way through the shoot. The Script was also reworked during shooting. These types of disasters are usually identified early, even before viewing and it is my belief that this in part contributed to dismal reviews. The basic premise, however, is revenge. The coldest dish served and a trademark in the history of American film. Now, this year, Mel Gibson picks up a script called The Edge Of Darkness and decides to make his return to acting.
The Edge Of Darkness is solid. I mean it really is. I am a bit biased due to my upbringing in Boston but I'm not ashamed to put it out there. William Monahan, who co-wrote the screenplay, and also penned The Departed (and won the Oscar, thank you very much) knows this city through and through. Monahan infuses the script with a locals attitude, while still providing Gibson's character (Tom Craven) the chance to explore his own darkness. The conversations between Gibson and Ray Winstone (Mr. French from The Departed) are especially riveting. A scene in the kitchen over a glass of Crown Royal nails it.
The story is explanatory and the commercials for this film are horrendous (No one really gets the Boston accent right, but in Gibson's worst line of the film, "Did you shoot my daughter?" is the first thing heard in the main add on television. The story is far fetched, coupling together conspiracy theories with over-arching companies that knock off their own employees for meddling in matters of "National Security." Everything from CEO cutouts, obnoxious cliche versions of hippi groups that sabotage evil government labs (The "take your glasses off please" scene is absolute comedy, the embodiment of a republican conversation over beers), all the way down to a cowardly Police captain that is supposedly friends with Gibson (Note, I'm not sure who casted this film but I don't know what the fuck they were thinking having this guy in there). Those character types fail, but it is hard to imagine this was not done on purpose. The evil, the darkness, that surrounds Gibson's character is supposed to be vulnerable, predictable, obnoxious--it mirrors Gibson's real life image-- and his on screen image smashes that image to pieces.
The years have been kind to Mel...that is until around the last eight. He looks older in this film. The lines in his face defined, a quiet, reserved, tired looking face. Much of Mel Gibson/Tom Craven's history is left out of the script. They imply he used to be an alcoholic. He hasn't been great to his daughter. The wife isn't in the picture, but the catholic cross still dangles around his neck (a nice touch). The viewer is ready made to assume this is more or less an on screen, Hollywoodized version of Mel and his search for redemption. His daughter is murdered minutes into the movie. A bloody, hyper-violent sequence in which he is on the way to the hospital with her before her life is erased via shotgun. The movie doesn't waste time building his anger over her death. The man's lost everything, boo-hoo, and now his daughters blood is all over his hands. The plot begins with people assuming the bullets were meant for him...and then the story unfolds.
The movie centers around his bloodlust for his daughters killers, however, it also leads the character Tom Craven into searching through himself for what is "the right thing to do". Obviously, another far fetched reaction, but getting his vigilante on and murdering people left and right doesn't make for the most moral of decisions. There is a line in the film when the ridiculous police friend of Tom's utters "It's never what it is, It's what it looks like". He refers to the outrageous lengths that have manifested the story--the violence, the greed, the cover ups, the works. If you are willing to buy certain points of bullshit, certain themes are more realistic than they initially appear. This makes the movie worth seeing. *
I Included the asterisk above because I believe this film was billed for Gibson's comeback. The perfect engine at revitalizing his career and exposing that face we have all come to know so well. One of defeat, sadness, tragedy endured, anger, the swelling of Mel's eyebrows as he struggles to hold back tears (He practically invented that face). The problem is, at least at the local level (but arguably at the national one too) the film rubs up against political current events in a peculiar way. This helps shift the film from strictly Mel's comeback to an interesting story during an interesting time during politics.
The film's villain is a CEO. The power structure is centered around the protection of secrets, the far reaching "limits" the government possesses to silence whistleblowers, and the private contracts that comprise the never ending relationship between business and politics.
I saw this film a week after Judge Alito and the rest of the Supreme Court decided to lift the ban on corporate campaign financing, further stretching the limits to an area not known in this country for as long as we can remember. This is also two weeks after Massachusetts replaced the Liberal Lion with Scott Brown. Political times in Massachusetts, well, I guess a nice way of putting it would be, "confused". Monahan taps into this with the film's second villain: a pathetic John Kerry knock-off. A typical rendition of a Senator and his personal connections with the evil commanding CEO. Now this again could be a personal bias, but beyond the cozy Louisburg Sq. confines, the character is ridiculous. It's so far over the top that it doesn't even feel like a good shitting on. It's just stupid. Some may enjoy it, but either way, it is not a flattering glance at Boston politics as of late. The point is clear.
This was unexpected. This movie kind of came out like "The International" did last year. A stupid, ridiculous, over the top premise about evil banks stealing the public's money--and lives (sound familiar?). A potentially awful movie graced with good timing and a likable star (Clive Owen ladies and gentleman, how you can hate the man?). The Edge Of Darkness barrel rolls to the finish line by pole vaulting over any hint of realistic traces: bullets fly, people are poisoned, shot in the face, destroyed, hit by cars, stabbed, shot in the throat, and beaten mercilessly. In effect, all the things we wish we could impart at certain times when we the people feel helpless, or controlled by something we cannot change. I don't think everyone envisions handling it with a bullet and some tough words, but that feeling of anger is there.
The character arc plays out towards the end of the movie as a father who picks up where his daughter left off. The revenge for him is bloodlust, however, at the same time, his sole mission becomes to pick up the dead trail and finish off the government hotshots, CEO assholes and finally the crooked Senator. Exposing the evil illegals they have carried out. The violence and redemption in the film is laughable and survives only as a popcorn action movie gimmick. The grander scale, in most cases, would also be considered laughable. However, I found myself questioning that thought towards the end of the movie. There is a bloody scene towards the end that single-handedly sends the movie over the top, and the evil deeds of the guilty are presumably exposed thanks to four well aimed shots.
The nasty taste left in your mouth leaving "The Edge Of Darkness" was the close lines it runs politically-- the thought that this country has taken a serious turn for the ethical worse on millions of occasions. The latest butt fuck by the Supreme Court last week is probably somewhere in the back end of a long line by contrast, however, it still stands as remarkable that people have not taken a greater notice. One of the biggest problems I have with politics in this area is that people tend to latch onto on major issue and make it the forefront of argument against other candidates. Scott Brown won with the Healthcare/Middle class values edge. Beyond that? Many people probably couldn't get into serious depth about his political views. They just aren't really defined yet. This Supreme Court decision rolled in and out, and it didn't see half the press, anger, or questioning as the Coakley/Brown race did. This is a disgrace to Americans everywhere.
For me "The Edge Of Darkness" is complicated by interesting timing and a perfect lead. It takes it to another level for me as I continue to fuse film philosophy with real life timing. For others, it could be a horrendous movie fueled by an anti-semitic lead or a B movie that people went to see for revenge. The films title really got to me. In an age where goodness is supposedly prevailing and we are witnessing "change", the far reaching limits of the Supreme Court and their "judgment" has set us back almost a century. So much for the middle class values of anti-big government and the conservative regime. Everything about the healthcare debate and Scott Brown has centered around a return to the "normal guy" politics: a guy who pushes a pickup truck and doesn't need the government's help for many issues. Smaller government. Smaller money for regular people. I can respect that point of view even when I don't agree with it. The Supreme Court just made it possible for companies to bankroll their own candidates (their own or puppets they aim to financially "support")without any form of checks, balances or limits. It is an appalling decision and regardless of where I sit with Scott Brown, John Kerry, Mel Gibson or Jesus fucking Christ, I refuse to believe the argument for it as protecting my 1st Amendment rights. I dare half the people that live by this to actually recite their 1st Amendment rights...because half of them wouldn't get past the first sentence. The foundation of our government is checks and balances. To remove that aspect from the election process is beyond egregious--whether or not your fall on the left or right.
In any event, "The Edge Of Darkness" is worth seeing. Whether or not you hate Gibson, give a fuck about politics (locally or nationally) or just want to see people get shot up, I would recommend it. I hope Scott Brown sees it. I hope John Kerry sees it. I hope Jesus Christ sees it. I don't really care what they think about it. In an era where our politics stands on "The Edge Of Darkness", I worry we have already plunged headfirst into the abyss (If course I feel we have). Now, running around offing politicians and CEO's alike isn't the correct method of action--but that same feeling of desperation and rage remains. That feeling of hoping something outrageous happens to change the way things are being done. That is what the film captures--a deep sense of hopelessness and a call for desperate measures. I for one stand on the edge of sanity when I think about the whirlwind of events the past two weeks. Call me crazy, but hopefully someone does something. Murder need not apply, but it is interesting to think what people in power might do when they know they can get away with it. Last week, The Supreme Court legalized a form of getting away with it. I guess I identify with Tom Craven (take note this is not Mel Gibson here). The character embodies certain feelings people harbor when they are left completely unprotected. The movie exists on many levels, but it leaves me with hope that some form of Tom Craven is waiting in the darkness, plotting what to do next and hopefully exposing a great deal of evil carried out by those in power. I won't hold my breath. For now, I'll just try to hold onto my sanity.
Monday, December 7, 2009
Clint Eastwood Philosophy
"You know, you let the woman go through the door first. Why? Because you're stronger, you're younger. It's your duty as a man. That's what you're here for, to take care of things. And nowadays I don't think men are taught that. It wasn't a macho thing; nobody felt they had to kick over the table and act tough to prove they were men. I'm fond of telling this story—I remember meeting Rocky Marciano. We shook hands. It was a real light handshake, like he was a concert pianist. I walked away and thought, Yeah, Rocky Marciano doesn't have to grab you. He knows he could kill you. He's a real guy. So be strong and protect yourself, emotionally and physically. But don't—you don't have to take any crap from the world, but at the same time, you don't have to go looking for crap, either. Don't let the feminist revolution turn you into an anti. Women really do want your help, and that's why we're on the same planet, the same level."
-Clint Eastwood (GQ Badass Of The Year 2009)
It's amazing when you look around and the people you identify with are three to four times your age. It is interesting to hear these words from this man's mouth, albeit not surprising, you’re talking about the all time bad ass of cinema: a legend, a king, somebody who could do whomever, or whatever, he wants and no one would have anything to say about it. This was one of the better interviews I've read in awhile. It examined Clint's take on America, modern college kids, feminism, meditation, war, the president, race...almost everything. In a society as fucked as ours, it is nice to see somebody hanging on from the old school, though I whole heartedly disagree with some of his statements, the vein in which he speaks I understand. He talks about old men come and gone, WWII vets who were molded in the fabric of a tough country with a strong set of male morals. This of course set against the backdrop of today's country where everything feels so scatter-brained and void of a mainstay for common morality.
During one point, Clint says
"The guys who won World War II and that whole generation have disappeared, and now we have a bunch of teenage twits."
In college, I used to despise anyone who uttered anything resembling a statement as that. I'm a tad bit older now, twenty-four, and I'd like to think a bit more mature.I find myself agreeing with statements like these more and more. I used to shutter at copies of "The Last Great Generation" and things of that nature, but now I'm faced with the end of my stubborn ideals--he is more right than wrong.
"People 50 years old acting like that.In Gran Torino, I play a guy who's racially offensive. But he learned. It shows that you're never too old to learn and embrace people that you don't understand to begin with. It seems like nobody else got that message, I guess."
I'm glad Clint understands this, as I enjoyed "Torino" it was quite an unpleasant and unforgiving trip to the movies. I remember going with a large contingent of my family and my girlfriend at the time, laughing our way through the racial jokes and absurd "old man" behavior, then trying to latch onto the common theme built up by the end. Myself, being someone that watches far too many films, failed to really grasp what Mr. Eastwood was trying to layout (Forgiveness, lessons learned, atonement etc.). I looked at Gran Torino (his self admitted final role) as his on screen redemption for all of his on-screen sins: a confessional booth with a final breathtaking act of selflessness to absolve him of every person murdered during his spaghetti western years, every prick blown away in the Dirty Harry series, every mistake overlooked in The Million Dollar Baby and the body count in the Unforgiven (The list could go on for years). That final scene is where any other Clint would have had the jump, a quicker draw, more bullets, a scene in which not any other actor could get away with in a realistic fashion. In Clint, most people are able to fully abandon reality and believe in the legend. In his final role, he gives himself up for the better of morality and humanity. Sheer brilliance if you ask me.
The problem with the film was that it reached audiences in a different light. People became so affixed with the racial slandering and "hilarious" scenes in which the old man got his "racist" on and pointed guns at Asian kids (if I had one knock on the film, it was the acting ability of certain characters. The family next door for example?--twilight worthy). It is here Clint makes a brutal and honest point. Here, in trying to make an honest film about a man overcoming his darkest fears and racial biases to triumph morally, he fails. Not to make a great film, not to make a serious point, but to connect with audiences on the same level. Connecting with an audience of today's youth and middle-aged, who Clint feels, fail to grasp what is going on.
Gran Torino was one of the "funniest movies of the year" if I was going to judge by audience reaction. The citations and quotes from the film were all during the old man's most racist and scathing of remarks. When it came time to discuss themes from the film, many had lost that part of it in the shuffle. This is what Clint see's, the future of this country failing to grasp the problems inherent with the society (especially racism) on both sides of the issue. (He rips Jimmy Carter a new asshole for attempting to silence Obama protesters as "racists"). He may be onto something here, I'm just saying.
"Jersey Shore" aired a couple of days ago and I admit I didn't watch. In fact, the only reason I knew it was even on was Facebook and it seemed like every person I knew's status update had something to do with watching the show (like OMG, funniest thing everrrrr!). I'm glad I didn't, for fear of being able to see the future. In an era where Twilight and Transformers rule the screen, and pieces of trash like "Jersey Shore" and "Sweet 16" own the tube, Mr. Eastwood stands absolutely correct.
The first quote of the article stands above like a great big lurking shadow:
"It wasn't a macho thing; nobody felt they had to kick over the table and act tough to prove they were men."
This is coming from the man that flipped countless saloon tables like pancakes and dispersed thousands of rounds into men on the screen. His take on being a man in this society is simple, even if surrounded by remarkable coincidence and circumstance. If Clint Eastwood, the most legendary bad ass in Hollywood history is speaking on his views of philosophy on women, men and masculinity in society, it can't hurt to listen. Males nowadays get all googly over fighting. Between MMA, college riots, overblown boxing matches and random occurrences of violence, I feel now more than ever standards have become blurred. It is no longer a requirement to protect, it is looking for trouble. Mr. Eastwood catches this beautifully. I joke around with my cousin all the time (He works at a bar with me) about how alot of guys nowadays would rather get into a fist-fight than hang out and speak with a lady (nevermind bring one home). My father seems to think this is more alcohol related as that is the mainstay for social interaction after twenty-one years of age in this country(and as we know, far lower than that). In my experience so many women have become fed up with fighting that when the need for physical action is reached and occurs, it is harder to appreciate or find attractive in any way, shape, or form.
Now, many women I speak with on the subject claim the idea of fighting is a turn off, which is understandable, however, if a man gets completely out of hand and is dealt with accordingly, the act of violence should not be commended, but the bravery or moral standing to deal with it should be. I seem to find more women that agree with that statement. A man that sticks up for a women is a nice feeling. It is a protective feeling. Clint mentions it "we are here to protect them" in the most basic of evolutionary processes, and it's natural to feel that way for both sexes. I recall an incident where another man stepped over the line (he was harassing my girlfriend) on several occasions during the course of a night before I stepped in to "tell him off". The problem resulted in a fight. I won (on moral grounds and physical well being, obviously!) and her and I both shared a renewed sense of each other--even if only for the moment. I felt like I had done something right, something that was both exciting and frightening--but the right thing to do. She mentioned some other ways that might have helped, other scenarios in which physical altercation could have been avoided, but appreciated the frame of mind I was thinking in. She felt proud of me. She felt good that I was there to protect her. That is not something to be ashamed of for a man or a women. That is not the glorification of violence. That is not the glorification of males over females. If a male protects a female, that does not mean a women will always need a man around no matter what. I think men and women can appreciate having someone stand up for them, no matter what their sex is. I'm not sure I speak for every male, but ladies, it feels good when you let us know that you appreciate things from us. Obviously, random gestures of kicking someone else's ass in a gift-wrapped bow need not apply! However, you and I both know that at certain times things are necessary. It is really a good feeling to be appreciated and to be acknowledged that your strong defines masculinity from your significant other. You want to be viewed as a protecting force, plain and simple.
In being the oldest of five, while watching over two sisters, I am disgusted on a daily basis in the ways women are treated (this is not to say I'm exempt from these declarations against). Even in college, in my most narcissistic "We are the future" feeling days, I always had a problem with the way most "men" treated women,especially in that setting). I believe in the ways of chivalry and the things Clint speaks of, I believe that males are fundamentally stronger physically and that is just a fact (In a general sense--strength), and I also believe that women stand on equal plane as males despite the first two statements (and for a vast number of reasons).
Reading his views on women, and the responsibilities males fail to cover nowadays, reminds me alot of my father and grandfather. Growing up, my father explained to me quite clearly that women were to be treated differently and there would be no exceptions. He used to tell me this story about being the oldest brother: He would talk about a boat with our family on it and it sinking into the ocean. The weight of all seven in our family was making it go down faster, so people would have to jump off. The order would go as follows: Him, mother, myself, my sister, my brother, my brother and last little sister. I always was confused by this story, especially because of his hard nosed views on letting women "go first" and so forth. He explained to me that I would obviously go first because it is up to me to lead my brothers and sisters both when my parents are here and during the days they are gone. My sister J would go after because she is older and wiser than the rest. My brother D would go next if necessary, to leave the youngest alive in the boat. The final brother and sister are fraternal twins, one male and one female, who share the final moments. If necessary, the brother would jump first, the last remaining sister left alone.
I asked my father why my brother would go first and he always said the same thing: She is the youngest, she is a girl and he has to be the one to sacrifice himself for her to live, to go on and carry on the family and moral makeup. I was always perplexed and I'm sure many feminist classes would have a field day with his philosophy, but I always found it riveting. It was here where the gender came into play. At first I found it a bit ridiculous. I would often impose annoying questions like "Well, what if she is the better swimmer, or he is sick?". My father would laugh and explain the other side, one that I am now just getting. His belief was that in being the youngest (and being a girl) she had taken in many of the lessons her elders has taught her, and "probably all" of the lessons (knowingly and unknowingly) divulged to her by the four siblings.
In many ways, his view on the system was that it was not so much a gender issue as it was intelligence and morals. In his view, if everyone did their job, the best outcome would be available in the most dire of circumstances. Each gender gives, everybody gets. Males did their part. Females did their part. The future lives on. A bit Shakespearean, a bit misguided, a bit wishful thinking, but birthed in the right moral pool: a sensitivity for everyone and a yearning for the most complete and beneficial outcome.
I look forward to seeing how growing up treats me. I fear love and marriage as a sub-set of societal tendencies and influence, not as truly adoring someone and spending the rest of your life with them. I'm 24 years old and certainly have engaged in what people may call questionable behavior. Though I am not in a steady relationship, and at times engage in behavior with women (who sometimes know eachother) that would give them justifiable cause to castrate and be-head me, I always try my hardest in respecting women (Yes, I know, even if I fail miserably sometimes). The sharpest I've ever felt is during times with my family in discussions on the subject. It brings one back down to earth with regard to how people should be, could be, and must be treated. My grandparents we're together for fifty-years before my grandfather died. Fifty-years. If there is ever a model of efficiency, excellence, true love and support to look up to? That is it. Even my parents, who just last year reached half of fifty years, through problems I myself witnessed, is insanely impressive.
I guess identifying with Mr. Eastwood shouldn't come as a surprise after all. In truth, he speaks more in this article on these subjects than my grandfather did in a lifetime. My grandfather was more of the "lead by example" type. He did exhibit a quiet look, as if he knew everything, when others spoke on such subjects. It was these eyes I remember the most, and a faint smile that would cross his face as if he'd already done it all before, and mastered it. My grandmother still weeps everyday for him, partly because she cries too much and also because he really did do such a wonderful job building a family with her, respecting her, and caring for her. Obviously, the treatment of women and men should not always correlate directly with the morals of a healthy marriage, but it certainly cannot be a bad starting point.
One of my biggest fears is that such a majority of men will begin to forget about old ways of life, living, and the treatment of women. In turn, the women will forget what used to be a commonality. I tell my sisters all the time to expect certain levels of treatment. Not in an entitlement fashion, or bratty sense, but an intelligent and respectable level of standards for treatment that they are comfortable with. Some women despise the ways of chivalry and when women are turned off by it, I guess it is a major turn off for me too. I'm interested in women that like having me around, that appreciate little things from me, that more or less serve as reminders of the things we constantly forget about. I'm sure some of these same feelings go for them as well. Clint Eastwood touches over these subjects very broadly, however, reading his statements provide me with a profound feeling of nostalgia and warmth. I see a lot of my grandfather and father in Clint's words.
A couple of weeks ago I took a young women out on a date. I was driving around in my grandfather's 1998 Grand Marquis that I received from my grandmother after he died. His picture still sits behind my steering wheel everywhere I go. Over the years, several things have gone wrong with the car: The window behind the driver fails to go down sometimes, some of the foot carpets are gone, one of the hubcaps is missing and the automatic locks don't work. I entered the car first, reached over and unlocked the car door (alah a Bronx Tale), then shoved the car door open so she did not have to open it all. She entered the car and smiled and said "Can I ask you something?". I said "Sure". She replied "Why do you open the car door for me every time I get in your car?". I chuckled and told the truth. "Well for starters, the car auto locks are broken, but even if they weren't, I'd probably be doing it anyways". She smiled, nodded and we pulled out of the parking lot. I thought in my head about how my father would commend such a statement or action, and then I gazed into those familiar, quiet, knowledgeable eyes of my grandfather, as a faint smile crossed over my face.
Saturday, December 5, 2009
Real quick
So first Tiger Woods...my bet is the next super perfect human being to fail will be Tim Tebow. He's going to have to do alot to upstage Tiger, forget Ambien sex that dude needs to get caught banging Alligators or something. Even then, with the bible belt and everything, people will still love him. I'm already sick of it...ok Tiger Woods is worth a bajillion dollars and he likes to snore with his shoes off. Great. Who doesn't like being like that? Get over it. Mistakes made, sorry Tiger, ya cover is blown. Get your straight edge on again.
Friday, November 13, 2009
A Friday Morning Reflection
Veteran's Day could have made my week. That wonderful mid-week random day off that should be in place so you can get some rest and "battle" through the final two days must be amazing...right?
Not when your me, and you have to use the night to inhale Tequila and go to a club and fail to return to your apartment until some ungodly hour of the morning (Key word being "have to" because you know I never have such choice in these matters of the liver). Just kidding. Totally self inflicted. Now, as I sit here on this dreary Friday morning, sick with flu like symptoms and laughing about the fact that despite knowing it was not a good idea, I wouldn't change a thing. This day will probably we wrong and it's all your fault.
I woke up this morning with a rock at the front of my forehead. A bitterly obnoxious headache that refused to shake until I chugged one of those major sized Poland Spring bottles full of water. I was anxiously awaiting my coffee moreso than usual and decided to take the Mass Pike (As opposed to the J-Way) to work this morning. The timing could not have been much better as I arrived at my favorite Dunkin' Donuts on Morrissey BLVD in Dorchester. There is something interesting about having people know what your going to order before you step up to the counter, and on this particular morning, I was especially anxious for my caffeine fix.
A young girl that works there smiled like she does every morning and remembered two of three from my coffee routine before I asked her to please provide some Sweet N' Low. She fixed the coffee in absurdly fast form and she was headed right towards me with that XL French Vanilla, moving in slow motion step by step. Ok--probably overdramatized--but at that split second I heard a horrific sound.
Something like if you took a huge piece of meat and swung it over your head and smashed it off cement as hard as you could type sound (haven't done it but like I said I'm a wierdo and this was the description that came to mind).
The girl immediately swung my coffee off to the side and retreated behind a wall that separates the customers from the food section and the drive through window. I watched helplessly as the coffee spilled and dripped all over the serving table while at the same time listening to the brutal soundtrack of meat slapping going on behind the wall. I'm not sure exactly what happened or how it started but over the course of the next minute and thirty seconds I heard the following:
"You fuckin' bitch"
Slap. Slap. Punching noise.
"Get the fuck off her"
Punch. *CRASH*
Ugh (or like the sound of someone groaning after being hit in the stomach)
Another CRASH. This time trays and plates came smashing down onto the floor.
"You fat cunt"
"Somebody call the police!!!"
Ok time out. So I'm sitting at the register and pretty much thinking to myself selfishly about my coffee. I mean did she have to go over there and try to break it up? I mean, I suppose. The situation had become quite awkward. Just as you thought it was going to calm down, it only escalated. I didn't have the balls to look at the line or anybody else in the store for that matter.
Fight continued:
"Slap, slap, slap".
Punching sounds.
"You fuckin' bitch I come over there to help and you hit me!?"
"slap".
"Your coming with me!!!"
"Get the fuck off me!"
At this point in time a younger girl came from behind the wall. She had an Irish look to her and at some point someone called out her name and it was indeed an Irish sounding name. The manager tried to restrain her by the arms but that failed as this one girl wrecking crew had destroyed the whole back end of the DD's and subsequently fucked up two of the serving girls. She yelled the whole way to the front door and exclaimed that she would "see you after work, bitch!".
The older women at the register apologized almost hysterically, citing "I'm sorry about that, that shouldn't be happening". I almost laughed, but held it in out of respect for the poor girl who had been making my coffee, who now had a lump the size of a chocolate glazed donut on the right side of her face. My coffee was made and I drank it as fast as possible, hoping to quickly erase any connection with that DD's for the rest of the morning (Of course here I am writing about it).
I walked out the front door wishing there was something more I could have done besides the meager 1.00 tip I leave in there cup every morning. I thought about the girl who started the fight, pushed to the edge and probably furious with the everyday schedule serving asshole's like me coffee. I thought about the smaller Spanish girl she clocked the shit out of and how she probably wasn't going to last much longer there either. Then I thought about the sweetheart that served me the coffee, who smiled at me, made my coffee and was only trying to help. I thought about the manager and how she looked surprised, but not really that surprised. I left and got into my car and went work. I'm glad I don't work there. I'm glad I don't have to work there and for a split second I'm completely and utterly happy with my job. Back to reality.
Now I'm sitting here thinking about my morning thus far what the rest of the day will bring. I'm glad I've always been good to the people at that DD's because for the most part, they've always been good to me. Nothing pisses me off more than people who get all frustrated over nothing, most of the time it's not over a screwed up order, they're just in a bad fucking mood. Grow up. This goes for myself as well. Those "Yeah, I'm annoyed at the world this morning, I have to go teach a fuckin' art class all day with a bunch of kids wah wah wah" days. I usually regain perspective fairly quickly, but it doesn't hurt to experience mornings like this.
I'm also thinking how I may never take the Mass Pike again.
I mean it's common sense to be good to everyone. Your whole life your pretty much force fed "treat others as you'd expect to be treated" philosophy. Maybe it needs a tweaking. The problem nowadays is alot of people expect such shitty behavior and shitty attitudes from people on a daily basis (not to mention when you work a busy Dunkin' Donuts where half the people suck because they have not yet woken up). I think that sucks, and I'm hoping more people are good to those DD employees than not. For some reason, I don't think so.
As I walked out of the store I glanced toward the break area in the rear of the Dunkin' Donuts. The cute women who prepared my coffee and threw herself into the mix had just gotten off the phone. I'd like to think a boyfriend, a loving father maybe a really cool older brother, but I got the sense it was with her mother. She put the headset that connects to the drive thru back on, pulled back her hair under her hat, adjusted with a deep breath, and walked back inside.
I'm suddenly realizing my morning is not that bad after all. Somewhere, someone's morning is 1,000 times worse than this DD employee's. I'm just hoping she has a much better rest of the day and that the majority of people she encounters do too.
Not when your me, and you have to use the night to inhale Tequila and go to a club and fail to return to your apartment until some ungodly hour of the morning (Key word being "have to" because you know I never have such choice in these matters of the liver). Just kidding. Totally self inflicted. Now, as I sit here on this dreary Friday morning, sick with flu like symptoms and laughing about the fact that despite knowing it was not a good idea, I wouldn't change a thing. This day will probably we wrong and it's all your fault.
I woke up this morning with a rock at the front of my forehead. A bitterly obnoxious headache that refused to shake until I chugged one of those major sized Poland Spring bottles full of water. I was anxiously awaiting my coffee moreso than usual and decided to take the Mass Pike (As opposed to the J-Way) to work this morning. The timing could not have been much better as I arrived at my favorite Dunkin' Donuts on Morrissey BLVD in Dorchester. There is something interesting about having people know what your going to order before you step up to the counter, and on this particular morning, I was especially anxious for my caffeine fix.
A young girl that works there smiled like she does every morning and remembered two of three from my coffee routine before I asked her to please provide some Sweet N' Low. She fixed the coffee in absurdly fast form and she was headed right towards me with that XL French Vanilla, moving in slow motion step by step. Ok--probably overdramatized--but at that split second I heard a horrific sound.
Something like if you took a huge piece of meat and swung it over your head and smashed it off cement as hard as you could type sound (haven't done it but like I said I'm a wierdo and this was the description that came to mind).
The girl immediately swung my coffee off to the side and retreated behind a wall that separates the customers from the food section and the drive through window. I watched helplessly as the coffee spilled and dripped all over the serving table while at the same time listening to the brutal soundtrack of meat slapping going on behind the wall. I'm not sure exactly what happened or how it started but over the course of the next minute and thirty seconds I heard the following:
"You fuckin' bitch"
Slap. Slap. Punching noise.
"Get the fuck off her"
Punch. *CRASH*
Ugh (or like the sound of someone groaning after being hit in the stomach)
Another CRASH. This time trays and plates came smashing down onto the floor.
"You fat cunt"
"Somebody call the police!!!"
Ok time out. So I'm sitting at the register and pretty much thinking to myself selfishly about my coffee. I mean did she have to go over there and try to break it up? I mean, I suppose. The situation had become quite awkward. Just as you thought it was going to calm down, it only escalated. I didn't have the balls to look at the line or anybody else in the store for that matter.
Fight continued:
"Slap, slap, slap".
Punching sounds.
"You fuckin' bitch I come over there to help and you hit me!?"
"slap".
"Your coming with me!!!"
"Get the fuck off me!"
At this point in time a younger girl came from behind the wall. She had an Irish look to her and at some point someone called out her name and it was indeed an Irish sounding name. The manager tried to restrain her by the arms but that failed as this one girl wrecking crew had destroyed the whole back end of the DD's and subsequently fucked up two of the serving girls. She yelled the whole way to the front door and exclaimed that she would "see you after work, bitch!".
The older women at the register apologized almost hysterically, citing "I'm sorry about that, that shouldn't be happening". I almost laughed, but held it in out of respect for the poor girl who had been making my coffee, who now had a lump the size of a chocolate glazed donut on the right side of her face. My coffee was made and I drank it as fast as possible, hoping to quickly erase any connection with that DD's for the rest of the morning (Of course here I am writing about it).
I walked out the front door wishing there was something more I could have done besides the meager 1.00 tip I leave in there cup every morning. I thought about the girl who started the fight, pushed to the edge and probably furious with the everyday schedule serving asshole's like me coffee. I thought about the smaller Spanish girl she clocked the shit out of and how she probably wasn't going to last much longer there either. Then I thought about the sweetheart that served me the coffee, who smiled at me, made my coffee and was only trying to help. I thought about the manager and how she looked surprised, but not really that surprised. I left and got into my car and went work. I'm glad I don't work there. I'm glad I don't have to work there and for a split second I'm completely and utterly happy with my job. Back to reality.
Now I'm sitting here thinking about my morning thus far what the rest of the day will bring. I'm glad I've always been good to the people at that DD's because for the most part, they've always been good to me. Nothing pisses me off more than people who get all frustrated over nothing, most of the time it's not over a screwed up order, they're just in a bad fucking mood. Grow up. This goes for myself as well. Those "Yeah, I'm annoyed at the world this morning, I have to go teach a fuckin' art class all day with a bunch of kids wah wah wah" days. I usually regain perspective fairly quickly, but it doesn't hurt to experience mornings like this.
I'm also thinking how I may never take the Mass Pike again.
I mean it's common sense to be good to everyone. Your whole life your pretty much force fed "treat others as you'd expect to be treated" philosophy. Maybe it needs a tweaking. The problem nowadays is alot of people expect such shitty behavior and shitty attitudes from people on a daily basis (not to mention when you work a busy Dunkin' Donuts where half the people suck because they have not yet woken up). I think that sucks, and I'm hoping more people are good to those DD employees than not. For some reason, I don't think so.
As I walked out of the store I glanced toward the break area in the rear of the Dunkin' Donuts. The cute women who prepared my coffee and threw herself into the mix had just gotten off the phone. I'd like to think a boyfriend, a loving father maybe a really cool older brother, but I got the sense it was with her mother. She put the headset that connects to the drive thru back on, pulled back her hair under her hat, adjusted with a deep breath, and walked back inside.
I'm suddenly realizing my morning is not that bad after all. Somewhere, someone's morning is 1,000 times worse than this DD employee's. I'm just hoping she has a much better rest of the day and that the majority of people she encounters do too.
Thursday, November 5, 2009
Hypomania As The Days Get Shorter
For some reason I don't deal well with time changes. I guess you could take that statement in a variety of manners; but for now I'm talking clocks. Recently I have been taking an "Abnormal Psychology" class at the graduate level. I find myself intrigued in the creepiest of senses as I fear (as I imagine most do) that I have pretty much every mental disorder in the DSM-IV. At least to some extent. I am still gunning for being a Skitzo but we'll see. Right now I'm on a hypomanic kick, that is: "An unequivocal change in functioning that is uncharacteristic when asymptomatic. People experiencing hypomanic symptoms typically have a flight of ideas, a decreased need for sleep and/or rest, are extremely outgoing and daring, and have a great deal of energy." Or maybe, I wish I was.
I rose yesterday at 5:30 in the AM (as opposed to my usual 6:30) and began my outrageously invigorating professional work day. I arrived at work and immediately was assigned a classroom and was allowed a precious few minutes of silence before people arrived. Over that period of time I encountered the following thought processes:
-Tom Menino now has the record. 20 years. I was not particularly interested in this mayoral race. Everyone knew Flaherty lacked sufficient funds and popularity, or maybe because Menino does not do a particularly bad job (Albeit not an an outlandishly good one either). The most hilarious thing about Tom Menino is his gigantic half dollar sized cuff links he wears from time to time. I reminise to a time in which I didn't give a fuck about the social pressures of having jobs or making your own way, a time when I played Babe Ruth baseball and it seemed like you and all your friends were going to the Major Leagues. I attended a end of the season banquet in the North End. Big Tommy showed up (probably for the outrageously sized portions of food) and gave a speech. I didn't hear one word. I didn't get wrapped up in his jumbled accent or waste time trying to figure out a point. I was blinded by the light.
Holy testicle sized cuff links, Batman!
He probably copped them at Marshall's for twenty bucks. I swear, it made Bob Kraft's usual monsters look like little buttons. I was thirteen and all of a sudden wanted to be the mayor. If you could have told me then: that in 2009 he would still be the mayor and I would be substitute teaching a dance and drama class in Dorchester? Um, well, if I got beyond telling you to go fuck yourself? I probably would have done steroids in college, failed regardless at making a run for the Pro's and subsequently been thirty to forty pounds heavier as a result of the water weight (As for Dance and Drama, I'm not sure).

A girl I used to see back in 2007 recently got married. I guess it's an amusing story because the last time I saw her was on her couch. She and I were...well we were hanging out on her couch when I received a phonecall from my friend Packie. He stressed to me that it was a time of great need, a time when fifteen to twenty morons were assembled on Savin Hill Avenue ready to re-enact the opening scene in Gladiator. I was in Cambridge and I'm not sure why I felt my presence would be effective, but I left anyways. She was on the couch, totally dumbfounded (and topless for that matter) while I was setting the record for a one way trip from Cambridge to Dorchester. I showed up and everything died down of course (This had nothing to do with the four squad cars that showed, it was of course my intimidating figure) and then we all went out and got food. I don't really know why I'm so narcissistic with such matters, but I always wondered how that situation impacted her life? I mean people adapt, but if a chick left me on the couch high and dry to go fight with her friends I'd probably just give up. No that's bullshit. I'd probably just get drunk and forget about the whole thing.
-Drake has managed to land a song with pretty much every big name in rap and he's only been on the mainstream scene for around a year. I listened to his most recent verse in the DJ Khaled "Fed Up" track. There is something redeeming about singing along to curse filled verses seconds before children enter the room.
- I think I heard them say Rondo got 55 million this morning on the radio, but I could not remember if that was a dream or not.
- You are twenty-four years old. You still haven't seen the new Boondock Saints movie even though there is no way it can be good and yet you still yearn. You blame the trouble you had sleeping last night on "Paranormal Activity" which you saw on Sunday night with your roommate. You still have a crucifix dangling from your bedroom doorknob and you tell everyone it was for your Boondock Saint's costume (which it was) and that it is only there because your too lazy or you forgot about it (which is not true) and has nothing to do with the fact that the movie actually freaked you out (also not true). PS. Maybe you are Skitzo and that is one of the voices inside your head writing for you in the 3rd person?
-Tony Romo is a good QB. I find it funny people hate him so much when other QB's are killing dogs, raping women and turning up dead at the hands of 20 year old girlfriends. This guy is tossing 300 yards a game, dumping girls as hot as Jessica Simpson and making stupid amounts of money. He's cool in my book.
The day rolls on and eventually it turns to darkness. It happens earlier now, another wonderful reminder of the time change! Darkness falls, I catch up on all my Dexter and Californication on demand and before you know it, Darkness REALLY falls, and the Yankees win the World Series! I wake up at a normal time today, and in all my morning motivation and energy I do my best Derek Jeter "we just won the World Series!" leap.

YES! TODAY RULES! WOOO! LET'S START IT! Cough, ok, cue the depressive symptoms and mixed state of mind. I arrive at work and before undertaking certain daily responsibilities I check facebook for some amusing status updates, relationship endings, beginnings and who I wanna poke next.
Listen, I hate the Yankees as much as the next guy, but stop it with the "Oh they bought another pennant!" comments. We're no longer the Boston Red Sox of the last century. We buy just like everyone else (I kinda hate it but at the same time you have to adapt...and ever since our big contacts we've faired quite well, ahem Manny, ahem Pedro). Without those guys mixed together with our recently amazing farm system there is no 2004 or 2007. The same goes for the Yankees. Now don't get me wrong, these guys throw money around like Pac-Man except they don't care about picking it back up--but Jeter, Posada, Rivera and Pettite all came up the same year.
The blueprint has always been there, build up young then fill in with what you can. The Red Sox threw 100 million at Dice-K just to speak with him. Please, for the sake of non-contradiction, stop with the money argument. We are both big market and are hated around the league. Adjust and get real. You don't have to like them, but do it for honest reasons and don't make excuses because the Red Sox (or more appropriately Mr. Papelbon) blew it this post-season. Things to remember? Despite their 27th, we have the second most World Series titles of all time AND if there was a team you'd rather have the Yankees win against than the Phillies?
...Let me know, but goodluck finding a more annoying fanbase in the league.
On to the next one. I am still laughing to myself over Californication the other night. "To our beautiful family, our black president and my magnificent dong". Hank Moody is easily the most ridiculous character on television. Members of both sexes could hate the show and all it has to offer, however, no one can deny the utter greatness of Duchovony's mastery. Watching Hank Moody run through drugs, self-serving episodes, booze, women, women, more women all the while trying to balance out Karen and his daughter is near perfection. No show has had more fun in the fields of sleaze and over the top craziness than "Californication". Do yourself a favor and rent, illegally download or buy the first season. Especially if you like boozing, good acting and hot women (anyone ever notice how most of the guys on the show are purposely kept extremely unattractive and shitty just to further Glorify Hank's legend?). He is worth checking out and is the most absurd and engaging character on television.
The days get shorter just means the nights get longer. I'm a big bitch and will be over my disturbed "sleep" cycle in no time. November brings a whole host of unwanted issues into one's life (Christmas Music is tops for me), but I'm supposed to be hypomanic! The constant flow of ideas and amazing creativity continues to flow...um...I swear...I, I eh, just want to save some the perfection for next time? Uh, yeah. Right. Maybe I should have paid more attention to the delusional disorder instead.
I rose yesterday at 5:30 in the AM (as opposed to my usual 6:30) and began my outrageously invigorating professional work day. I arrived at work and immediately was assigned a classroom and was allowed a precious few minutes of silence before people arrived. Over that period of time I encountered the following thought processes:
-Tom Menino now has the record. 20 years. I was not particularly interested in this mayoral race. Everyone knew Flaherty lacked sufficient funds and popularity, or maybe because Menino does not do a particularly bad job (Albeit not an an outlandishly good one either). The most hilarious thing about Tom Menino is his gigantic half dollar sized cuff links he wears from time to time. I reminise to a time in which I didn't give a fuck about the social pressures of having jobs or making your own way, a time when I played Babe Ruth baseball and it seemed like you and all your friends were going to the Major Leagues. I attended a end of the season banquet in the North End. Big Tommy showed up (probably for the outrageously sized portions of food) and gave a speech. I didn't hear one word. I didn't get wrapped up in his jumbled accent or waste time trying to figure out a point. I was blinded by the light.
Holy testicle sized cuff links, Batman!
He probably copped them at Marshall's for twenty bucks. I swear, it made Bob Kraft's usual monsters look like little buttons. I was thirteen and all of a sudden wanted to be the mayor. If you could have told me then: that in 2009 he would still be the mayor and I would be substitute teaching a dance and drama class in Dorchester? Um, well, if I got beyond telling you to go fuck yourself? I probably would have done steroids in college, failed regardless at making a run for the Pro's and subsequently been thirty to forty pounds heavier as a result of the water weight (As for Dance and Drama, I'm not sure).

A girl I used to see back in 2007 recently got married. I guess it's an amusing story because the last time I saw her was on her couch. She and I were...well we were hanging out on her couch when I received a phonecall from my friend Packie. He stressed to me that it was a time of great need, a time when fifteen to twenty morons were assembled on Savin Hill Avenue ready to re-enact the opening scene in Gladiator. I was in Cambridge and I'm not sure why I felt my presence would be effective, but I left anyways. She was on the couch, totally dumbfounded (and topless for that matter) while I was setting the record for a one way trip from Cambridge to Dorchester. I showed up and everything died down of course (This had nothing to do with the four squad cars that showed, it was of course my intimidating figure) and then we all went out and got food. I don't really know why I'm so narcissistic with such matters, but I always wondered how that situation impacted her life? I mean people adapt, but if a chick left me on the couch high and dry to go fight with her friends I'd probably just give up. No that's bullshit. I'd probably just get drunk and forget about the whole thing.
-Drake has managed to land a song with pretty much every big name in rap and he's only been on the mainstream scene for around a year. I listened to his most recent verse in the DJ Khaled "Fed Up" track. There is something redeeming about singing along to curse filled verses seconds before children enter the room.
- I think I heard them say Rondo got 55 million this morning on the radio, but I could not remember if that was a dream or not.
- You are twenty-four years old. You still haven't seen the new Boondock Saints movie even though there is no way it can be good and yet you still yearn. You blame the trouble you had sleeping last night on "Paranormal Activity" which you saw on Sunday night with your roommate. You still have a crucifix dangling from your bedroom doorknob and you tell everyone it was for your Boondock Saint's costume (which it was) and that it is only there because your too lazy or you forgot about it (which is not true) and has nothing to do with the fact that the movie actually freaked you out (also not true). PS. Maybe you are Skitzo and that is one of the voices inside your head writing for you in the 3rd person?
-Tony Romo is a good QB. I find it funny people hate him so much when other QB's are killing dogs, raping women and turning up dead at the hands of 20 year old girlfriends. This guy is tossing 300 yards a game, dumping girls as hot as Jessica Simpson and making stupid amounts of money. He's cool in my book.
The day rolls on and eventually it turns to darkness. It happens earlier now, another wonderful reminder of the time change! Darkness falls, I catch up on all my Dexter and Californication on demand and before you know it, Darkness REALLY falls, and the Yankees win the World Series! I wake up at a normal time today, and in all my morning motivation and energy I do my best Derek Jeter "we just won the World Series!" leap.

YES! TODAY RULES! WOOO! LET'S START IT! Cough, ok, cue the depressive symptoms and mixed state of mind. I arrive at work and before undertaking certain daily responsibilities I check facebook for some amusing status updates, relationship endings, beginnings and who I wanna poke next.
Listen, I hate the Yankees as much as the next guy, but stop it with the "Oh they bought another pennant!" comments. We're no longer the Boston Red Sox of the last century. We buy just like everyone else (I kinda hate it but at the same time you have to adapt...and ever since our big contacts we've faired quite well, ahem Manny, ahem Pedro). Without those guys mixed together with our recently amazing farm system there is no 2004 or 2007. The same goes for the Yankees. Now don't get me wrong, these guys throw money around like Pac-Man except they don't care about picking it back up--but Jeter, Posada, Rivera and Pettite all came up the same year.
The blueprint has always been there, build up young then fill in with what you can. The Red Sox threw 100 million at Dice-K just to speak with him. Please, for the sake of non-contradiction, stop with the money argument. We are both big market and are hated around the league. Adjust and get real. You don't have to like them, but do it for honest reasons and don't make excuses because the Red Sox (or more appropriately Mr. Papelbon) blew it this post-season. Things to remember? Despite their 27th, we have the second most World Series titles of all time AND if there was a team you'd rather have the Yankees win against than the Phillies?
...Let me know, but goodluck finding a more annoying fanbase in the league.
On to the next one. I am still laughing to myself over Californication the other night. "To our beautiful family, our black president and my magnificent dong". Hank Moody is easily the most ridiculous character on television. Members of both sexes could hate the show and all it has to offer, however, no one can deny the utter greatness of Duchovony's mastery. Watching Hank Moody run through drugs, self-serving episodes, booze, women, women, more women all the while trying to balance out Karen and his daughter is near perfection. No show has had more fun in the fields of sleaze and over the top craziness than "Californication". Do yourself a favor and rent, illegally download or buy the first season. Especially if you like boozing, good acting and hot women (anyone ever notice how most of the guys on the show are purposely kept extremely unattractive and shitty just to further Glorify Hank's legend?). He is worth checking out and is the most absurd and engaging character on television.
The days get shorter just means the nights get longer. I'm a big bitch and will be over my disturbed "sleep" cycle in no time. November brings a whole host of unwanted issues into one's life (Christmas Music is tops for me), but I'm supposed to be hypomanic! The constant flow of ideas and amazing creativity continues to flow...um...I swear...I, I eh, just want to save some the perfection for next time? Uh, yeah. Right. Maybe I should have paid more attention to the delusional disorder instead.
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